Category Archives: Financial Times
TheNextWeb: The FT dodges Apple subscription fee with new Web app for iOS devices
Comment is fre: My twitterspat with Paul Kagame
Comment is free: My twitterspat with Paul Kagame
Financial Times careers: Investigations and Special Project Editor
The Independent: The Pink ‘Un powers on
Reuters: FT won’t give up subscriber relationship to Appla
The Guardian: How live blogging has transformed journalism
New Media Age: FT website to match pink paper
New York Times: Financial Times Digs Gold Out of Data
The National: Publishers put future at fingertips with iPad papers
TheMediaBriefing: FT.com’s Rob Grimshaw on mobile, customer data and multimedia journalism
FT.com: Investigation reveals EU funding mess
Moving on: a new job
It’s my last day at Emap and Retail Week today. On Monday, I’ll be joining the the Financial Times as a producer on FT.com’s interactive desk. It’s a great opportunity to finally practice practise the area of journalism that has most fascinated me in recent years — the visualisation of data and integration of multimedia elements in online journalism. I’m very excited about it. Expect the focus of this blog to shift a bit towards tags like Flash, HTML5, graphics, visualisation and data.
As excited as I am about that, I’m going to miss working at Emap. Over the last two years, I’ve been hugely privileged to work with an amazing team of journalists in the retail group here, and particularly some great digital editors in Andre Rickerby, Keely Stocker and Kate Donovan.
We relaunched four websites — Retail Week, Drapers, Retail Jeweller and Professional Beauty. We successfully pioneered implementing Emap’s much-discussed paywall strategy. We vastly improved what we do in terms of search engine optimisation, email newsletters, and video content. We launched and integrated a brilliant rich data product and have several others in the works.
There’s so much left to be done here — I’m sad to be leaving two very exciting projects in the pipeline. But they will soon be in the very capable hands of Victoria Thompson.